Monday, October 20, 2014

Mixed Media: Marx in Soho (2014)

The Mixed Media Column from the October 2014 issue of the Socialist Standard
Marx in Soho
Marx in Soho, the 1995 one-man play by Howard Zinn was recently produced at the Marx Library in London directed by Sergio Amigo and starring Daniel Kelly as Marx. Zinn portrays 'Marx as few people knew him, as a family man, struggling to support his wife and children' in a 'fantasy' where Marx returns but due to a bureaucratic error not to Soho, London where he lived, but to Soho in New York City. Marx has returned 'to clear my name!'

Zinn drew on insights into Marx's private life in Yvonne Kapp's biography of Eleanor Marx. Marx speaks of life in Soho: 'we were living in London. Jenny and I and the little ones. Plus two dogs, three cats, and two birds. Barely living. A flat on Dean Street, near where they dumped the city's sewage.' Marx speaks about his favourite daughter Eleanor, 'a precociously brilliant child' nicknamed 'Tussy' who is 'a revolutionary at the age of eight', plays chess with 'the Moor' (the family nickname for Marx 'because of my dark complexion'), drinks, smokes, and is enamoured of the Irish struggle which she learned from Lizzie Burns.
Marx is very witty: 'Marx is dead! Well I am … and I am not. That's dialectics for you', 'Understand one thing – I'm not a Marxist. I said that once to Pieper and he almost croaked' and 'My Ricardo! You pawned my Ricardo!' Zinn invents a visit to his home by the anarchist Mikhail Bakunin, no record of such a visit exists although they had met in Paris in 1844. Bakunin was an irrepressible revolutionary who arrived in London in 1861 at Alexander Herzen's home, bursting into the drawing-room where the family was having supper. 'What! Are you sitting down eating oysters! Well! Tell me the news. What is happening, and where?!'
Zinn portrays 'Marx angry that his theories had been so distorted as to stand for Stalinist cruelties and to rescue Marx from those who now gloated over the triumph of capitalism.' Zinn concludes the play with Marx proclaiming we should be 'using the incredible wealth of the earth for human beings. Give people what they need: food, medicine, clean air, pure water, trees and grass, pleasant homes to live in, some hours of work, more hours of leisure. Don't ask who deserves it. Every human being deserves it.'
Marx in Soho is highly recommended for socialist theatre-goers: 'Look at it this way. It is the second coming. Christ couldn't make it, so Marx came . . .'
Steve Clayton

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